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The University of Manchester
School of Arts, Languages and Cultures
Samuel Alexander Building, WG16
Oxford Road, Manchester, M13 9PL, UK
Email: peter.scott@manchester.ac.uk
Phone: +44 (0)161 275 3064

 @lincolntheol

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The University of Manchester
School of Arts, Languages and Cultures
Samuel Alexander Building, WG8
Oxford Road, Manchester, M13 9PL, UK
Email: michael.hoelzl@manchester.ac.uk
Phone: +44 (0)161 306 1663

 

What does it mean to exist in complex relationships with machines? What insights can be offered to our understandings of these relationships by the theologically significant theme of ‘love’? What critical assessments can be made of our multiple uses of technologies in shaping our futures, by reflecting on our pasts?

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> Conference: Care and Machines
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Disquiet over the prevalence of social and economic individualism has a long history. In a world of mobile Capital and increasingly mobile people, communities of common tradition and locality appear to be under threat from the advent of a fragmented market society. Are these complaints against individualism justified? And crucially, how should Christians respond to them? Digging down into the substance of these questions, this project will consider the theological, liturgical and scriptural resources Christians have for understanding the notion of individualism in relation to issues of education, public life and the formation of democratic citizenship.

« Belonging & Heimat Colloquium No. 2 | Main | Engaging Society: Reassessing Anglican Social Ethics (6-8 Sept, 2010) »
Tuesday
May182010

Fascinatingly Disturbing

Dr. Michael Hoelzl has contributed to a newly released book on Michael Haneke's work entitled, Fascinatingly Disturbing: Interdisciplinary Perspectives on Michael Haneke's Cinema, edited by Alexander D. Ornella and Stefanie Knauss. Here's a brief extract from the back cover:

Michael Haneke is one of Europe’s most successful and controversial film directors. Awarded the Palme d’Or and numerous other international awards, Haneke has contributed to and shaped contemporary auteur cinema and is becoming more and more popular among academics and cinephiles. His mission is as noble as it is provocative: he wants to "rape the audience into independence," to wake them up from the lethargy caused by the entertainment industry. e lmic language he employs in this mission is both highly characteristic and ecient, and yet his methods are open to criticism for their violence toward and manipulation of the audience. e aim of this book is to analyze critically Haneke’s aesthetics, his message, as well as his ethical motivation from an interdisciplinary and intercultural perspective. Contributors to the book come from a variety of academic disciplines and cultural backgrounds-European and North American.

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